Living and Writing in The Country—By Angela Leuck
“We’re thinking of moving to the country,” I told mystery writer Louise Penny when I bumped into her at the … Continue reading Living and Writing in The Country—By Angela Leuck
Writing After A Concussion—By Pearl Pirie
The first year after I had a concussion was a blur. I was dead to the world for three months, … Continue reading Writing After A Concussion—By Pearl Pirie
“Hi, I’m ______ ”: Choosing My Author Name—By K.B. Thors
“What do we call you?” is a question I’ve gotten used to hearing, especially in the writing world. I write … Continue reading “Hi, I’m ______ ”: Choosing My Author Name—By K.B. Thors
Why You Should Apply for a Canada Council Grant Every Year until You Die.—By Sherwin Tjia
It is a truth universally acknowledged, that a writer in possession of a good idea, must be in want of … Continue reading Why You Should Apply for a Canada Council Grant Every Year until You Die.—By Sherwin Tjia
The Honeymoon Phase—By Ann Cavlovic
Someone with two decades of experience getting critiques of their writing shouldn’t curl into a ball after an editor’s comments, … Continue reading The Honeymoon Phase—By Ann Cavlovic
The Art of Embarrassing Oneself at Public Readings—By Renée Cohen
Giving public readings is crucial to establishing oneself as an emerging writer. After attending a diverse array of Quebec Writers’ … Continue reading The Art of Embarrassing Oneself at Public Readings—By Renée Cohen
Dear Everyone I’ve Ever Known: Thank You. This Book Is Dedicated to You.—By April Ford
I’m two seasons away from the release of my debut novel. This will actually be my third book publication, yet … Continue reading Dear Everyone I’ve Ever Known: Thank You. This Book Is Dedicated to You.—By April Ford
Writers: The Truth Can Set You Free—By Tamara Jong
Ma was so many things; a Jehovah’s Witness preacher, an alcoholic with a troubled past, and an avid reader, poet, … Continue reading Writers: The Truth Can Set You Free—By Tamara Jong
To Write Well, Learn from the Badminton Court—By Pascale Duguay
“Don’t rush your serve,” I called to an enthusiastic senior student during our badminton match. “But Miss, I can catch … Continue reading To Write Well, Learn from the Badminton Court—By Pascale Duguay
Writing on the Edge—By Lise Weil
Odette DesOrmeaux and Martine Huysmans, two members of the l’essentielle collective which also included Ariane Brunet and Harriet Ellenberger, 1988. Just over thirty … Continue reading Writing on the Edge—By Lise Weil
